Netflix global & local title campaigns

Agency: We Are Social, Jellyfish/Social Life

Time: 2018-2024

Deliverables: creative strategy, social production, social media management, (D)OOH, microsites, marketing shoots, junket shoots, social media toolkits 

My role: I have been across circa 40 global and local title campaigns for Netflix over the last 6 years. My role changed depending on the project and was not always the same, but I have been pitch lead, scoping lead, project casting lead and senior oversight.

Netflix UK

Too Hot To Handle

Sex Education

Heartstopper

Netflix ES

Money Heist

Elite

Society of the Snow

Stranger Things SE04

Knives Out 2

Queen Charlotte

Netflix DE

1899

Biohackers

Queer Eye DE

Too Hot To Handle DE

The Empress

Netflix India

Social Currency

Feels Like Ishq

Mismatched

Netflix France

Lupin

Netflix US

Big Mouth

Living with Yourself

Led the creative response for NX DE’s 1899. The team delivered an incredible, easter-egg-filled campaign, including this animated key art. The light signals in the boat were Morse code for the show’s release date 👀

Led the creative response and scoping for NX DE’s Biohackers SE02. Among other things, the team created a paid ad stunt, featuring famous meme stock photography and pushed via dark accounts

Led and oversaw the (winning) pitch and creative development for Too Hot To Handle’s SE02

Project highlights included a transatlantic Zoom shoot for a Selling Sunset crossover with Christine Quinn and the development of an interactive Times Square DOOH takeover with a live countdown to the show’s release

Lined managed the team that scripted and directed Ed Sheeran's audition for the Money Heist franchise (NX ES)

Set up and developed the team who managed Netflix Spain’s best-looking show: Elite

Set up the team that brought to life the Stranger Things SE04 campaign in Spain and was senior oversight and client lead over The Drift’s weekend activation

Partnered with Netflix India to support their creative social work in 2020 and 2021

During this time, the team led on creative for multiple campaigns and consulted with showrunners and producers for their reality show Social Currency

I will be forever proud to have managed someone who won an Emmy Award!

I was responsible for the team that created the Top Happy Spa stunt in New York subway to promote Paul Rudd’s Living with Yourself